Who and what is an Indian? How we are to characterize the Indian diasporic community as 'Indian' given that it is constituted of such diverse elements as South Asian Hong Kong Muslims, Canadian Sikhs (or shall we say Sikh Canadians?), Punjabi Mexican Californians, Gujarati East Africans now settled in the U.S. by way of England, South African Hindus, and so forth? In the United States, at least, the Indian community has occupied a place of considerable privilege, and many Indians could deflect the moment of recognition that 'Indianness' and being 'American' do not always happily coincide. In recent years, with a declining economy on the one hand, and the congregation of Indians in clusters that visibly put them apart on the other hand, Indians have for the first time become the targets of racial attacks. The Indian woman in her 'native dress', with the vermillion dot on her forehead, is easily seen as an embodiment of sheer otherness, and so she has been perceived by the so-called "dot-busters", a gang of white teenagers operating in New Jersey who have already been responsible for several violent crimes against Indians. In North America and the U.K., the native Indian costume has come up for public scrutiny and discussion in an altogether different respect: Sikhs have insisted that they be exempt from the law that compels bicyclists and motorcyclists to wear helmets, for such helmets cannot be worn over turbans, and their religious faith requires Sikhs to wear turbans. The kirpan has been an issue of contention in California schools. The 'corner shop', a hallowed symbol (if we could recall our Dickens) of English life, is now mainly in the hands of Indians. The obvious question is not only, 'What do the English think of that', but also: 'If the English landscape has been so altered, what is English about England'? The diaspora, in short, affects the center as well. However unlike Indian communities across the world might be, they all maintain some sort of tenuous link with the motherland. The most likely candidate for a force of bonding would be, of all things, the Hindi feature film, a phenomenon unique to the Indian diaspora: what Hollywood is to Western Europe, the Bombay Hollywood ("Bollywood") is to the Middle East and East Africa. The modesty, not to mention puritanism, of the the Hindi film is said to explain its appeal to the Islamic world; and though we may well contest that interpretation, it is worthy of note that Hindi films found in grocery and video stores across the U.S. often carry subtitles in Arabic, one language which is indubitably not spoken by any Indian community in the U.S.! The Indian 'arranged marriage' might furnish another such facet of a 'common culture'. Newspapers published by Indian communities flourish everywhere, and they invariably carry a section with matrimonial ads. Though these very ads help Indians to 'locate' one another, they pose difficult questions about 'otherness', both the otherness' of Indians in relation to 'Americans', and the internal 'otherness' of certain Indians in relation to other Indians.